Friday, January 28, 2011
Polaroid Instant Photography - The 1969 Colorpack II
Guest Blog by Rob Runn, UK
A couple of months ago I sent Film Photography Podcast host Michael Raso a question. I was confused about the different films available for instant cameras. I understood the Integral Instant Films - like Polaroid 600 / SX-70 and the Fujifilm Instax but I couldn't grasp what Michael was using when he mentioned Pack Film, and "Crack and Peel" materials.
Michael replied to my email in a most generous way - he was going to send me a Polaroid Colorpack II camera, complete with some film, all the way from America, so I could try out the Pack Film Experience. I was amazed to say the least, and I couldn't wait to get started!
A package arrived a few days later, and I feverishly opened it up, and I couldn't believe what was inside:
Michael had sent me a Polaroid Colorpack II loaded with black and white film, a spare pack of colour film, a couple of packs of flash-cubes, instructions and the case. Brilliant!
The first mystery had been explained. Fujifilm still make the film that goes into cameras like the Polaroid Colorpack II. They do the FP-100C color film , and the FP-3000B black and white film. This is called "pack film" or "crack and peel" film. Instead of being in one piece, like SX-70 or 600 film, these films consist of two parts, which are separated after exposure, leaving a print and a negative.
The Polaroid Colorpack II isn't difficult to use, but it's no point and shoot! Focusing is done by estimating the distance to your subject, then you turn the lens to the correct setting. Turn a dial on the front of the camera to lighten or darken the image, compose, then press the shutter release.
You then pull the film out of the camera, and wait the set amounts for the film to process, which is usually about 30 seconds. Then you peel apart the film, and you get your print. You can then use the backing paper to do a Polaroid Transfer - just press it against a piece of paper and you get an interesting looking image. Two photos for the price of one!
Shooting photographs with this type of camera is a real joy. It has all the analogue experience of using a film camera - zone focussing, with a limited number of shots, but with the extra organic twist of pulling the film out of the camera and peeling it apart. It likes no other photography I've done, and I love it!
If you want to have a go with a Colorpack II, make sure any models you buy have a clean battery compartment, and the rollers look like they're in reasonable condition. You can buy the film online easily, and cheap enough if you look around on a site like e-bay.com.
I hope this short post and video have inspired you to have a go at pack-film photography, and bring these great old Polaroid Cameras back to life!
Cheers, Rob.
Rob Nunn is a Film Photography Podcast listener, contributor and host of his own SCL Photo Podcast and blog. Visit him at http://www.robnunnphoto.com/
Resources on-line:
Polaroid Colortpack II on Camerapedia
http://camerapedia.wikia.com/wiki/Polaroid_Colorpack_2
Jim's Polaroid Page
http://polaroids.theskeltons.org/film.htm
The Land List
http://www.rwhirled.com/landlist/landdcam-pack.htm
About The Film Photography Podcast
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Wednesday, January 26, 2011
Canon T-50: The Amazing Canon FD SLR Point & Shoot Camera
Guest blog by Brian Moore
I’ve enjoyed 35mm point & shoot cameras since the day in the early 80’s when I picked up a Pentax 35AF. It fit fairly nicely in the pocket…not too bulky, it was solid, took decent pictures, had automatic exposure for film up to ASA 400, and came with a built-in flash. I used it constantly for a while, until one day it fell out of my coat pocket and landed with a sickening clatter on the concrete outside the Bonaventure Hotel in Los Angeles.
That was that.
Cameras have come and gone since then, including the occasional point & shoot and even a replacement for my Pentax 35AF.
(But I dropped that one too one day, and that was that.)
I currently covet an Olympus XA, though I haven’t been able to score one on E-bay at my price point. (Call me cheap if you want, but some things go for crazy money on the bay.) In the meantime, I’ve discovered a point & shoot whose charms have so stricken me that it’s now my main squeeze: the Canon T50!
Released in March of 1983, the T50 was the first of Canon’s T-series, which achieved its apex with the highly regarded T90.
The T50 is rather a small SLR with a plastic body, auto exposure, auto film advance, a hot shoe and a self-timer, and it will accept film speeds ranging from ASA 25 to 1600.
Canon designed the T50 to be a beginner’s SLR. All the photographer need do is focus and shoot, and when finished with the roll rewind it in the conventional way. But if you’re a beginner who actually wants to learn photography through manipulation of the camera’s functions, the T50 isn’t for you, since it lacks manual over rides for exposure settings.
But if all you need is a second body for your Canon FD system, or a low-cost camera to sling over your shoulder and be at the ready to provide some excellent images, the T50 could be an excellent choice.
Two AA batteries are all the power you need for up to 75 rolls of 24 exposure film. (Or 50 rolls of 36 exposure.) And although by modern standards its firing rate of 1.4 frames per second may seem a snail-like pace, just remember it’s a cheap 1983-point & shoot.
The real beauty of the T50, though: It takes FD lenses! Yes, all that beautiful Canon FD glass you used on your AE-1 will fit on the T50. Just connect the FD lens of your choice, set it to “A” on the aperture ring, and your T50 is ready to point & shoot.
Your images will be as sharp as any other manual focus Canon, and the auto exposure system is flexible enough to make low light shooting not only possible but simple and quite delightful. Put the camera on a tripod or steady it in some other fashion and you may be surprised by the results you get.
Despite its relatively small size, it’s still way too big to fit in a pocket, unless you’re name is Harpo Marx.
All images © Brian Moore
Links to Canon T50 pages on the web
The T-50 - Index Page
http://www.mir.com.my/rb/photography/companies/canon/fdresources/SLRs/t50/index.htm
Canon T-50 on the Wikipedia
http://en.wikipedia.org/wiki/Canon_T50
How to Use a Canon T50 35mm Camera
http://www.wikihow.com/Use-a-Canon-T50-35mm-Camera
Brian Moore is a listener and regular contributor to the Film Photography Podcast
Brian Moore on Flickr
About The Film Photography Podcast
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Monday, January 24, 2011
Vintage Camera / Home Development Package Give Away Gets Better!
blog by Michael Raso
Giveaway update!
When I announced the final days of our contest on FaceBook this past Friday, I received an e-mail from Film Photography Podcast Listener Ron O’Connor. Ron just kicked in some vintage measuring cups/beakers, a vintage thermometer and “Pako” film clips.
FPP listeners are THE BEST!!!
Here’s the original post from Friday (giveaway items updated)
When we announced our camera and home development contest last month on The Film Photography Podcast, I had no idea that it bound to become our most spectacular giveaway yet.
The contest was initiated when podcast listener HeeSoo donated a package containing a vintage Ciro-Flex 120 TLR camera, 120 film and Rodinal-Equiv home developer.
A few days later, I received an e-mail from another FPP listener. Keith Derickson noticed our contest and donated the film development tank that’s needed for the home development process.
I tipped off our good friends at Freestyle Photographic Supply about our ongoing contest and they donated the rest of the chemicals to develop film at home.
This has turned out to be our biggest contest to date!
One winner will be chosen and announced on the Episode 27 / February 1, 2011 Film Photography Podcast Internet Radio Show
The winner will receive:
A vintage Ciro-Flex 120 TLR camera
One roll FujiFilm Neopan 100 Black & White film
One roll Fomapan 100 Classic Black & White film
One roll Fomapan 400 Action Black & White film
One roll Arista Ultra 400 Black & White film
A vintage home development tank
Rodinal equivalent developer
Arista Indicator Stop Bath
Arista Universal Fixer
Arista Hypo Wash
Arista Flow Wetting Agent
vintage measuring cups/beakers
vintage thermometer
“Pako” film clips
You will need a few other household items – a thermometer, measuring cups and running water.
To enter, please send your name, address and a tell us a little bit about your passion for film to FilmPhotographyPodcast (at) gmail.com
Get your entry in by the end of today - January 24th, 2011
Only one entry per person and you must be 18 years or older
Below: "Bucolic in Rodinal" by Sooner BJJ
Have you developed BW film at home using Rodinal? Care to share your step-by-step process. Leave a comment or send an e-mail to us at FilmPhotographyPodcast (at) gmail.com
Many thanks to HeeSoo, Keith Derickson, Ron O’Connor and Freestyle Photographic Supply !
The Film Photography Podcast
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
The Film Photography Podcast on FaceBook
The Film Photography Podcast Group on Flickr.com
Friday, January 21, 2011
Vintage 120 Film Camera / BW Home Development Package Give Away!
Blog by Michael Raso
When we announced our camera and home development contest last month on The Film Photography Podcast, I had no idea that it bound to become our most spectacular giveaway yet.
The contest was initiated when podcast listener HeeSoo donated a package containing a vintage Ciro-Flex 120 TLR camera, 120 film and Rodinal-Equiv home developer.
A few days later, I received an e-mail from another FPP listener. Keith Derickson noticed our contest and donated the film development tank that’s needed for the home development process.
I tipped off our good friends at Freestyle Photographic Supply about our ongoing contest and they donated the rest of the chemicals to develop film at home.
This has turned out to be our biggest contest to date!
One winner will be chosen and announced on the Episode 27 / February 1, 2011 Film Photography Podcast Internet Radio Show
The winner will receive:
A vintage Ciro-Flex 120 TLR camera
One roll FujiFilm Neopan 100 Black & White film
One roll Fomapan 100 Classic Black & White film
One roll Fomapan 400 Action Black & White film
One roll Arista Ultra 400 Black & White film
A vintage home development tank
Rodinal equivalent developer
Arista Indicator Stop Bath
Arista Universal Fixer
Arista Hypo Wash
Arista Flow Wetting Agent
You will need a few other household items – a thermometer, measuring cups and running water.
To enter, please send your name, address and a tell us a little bit about your passion for film to FilmPhotographyPodcast (at) gmail.com
Get your entry in by January 24th, 2011
Only one entry per person and you must be 18 years or older
Below: Images by Film Photography Podcast listeners developed in Rodinal
Have you developed BW film at home using Rodinal? Care to share your step-by-step process. Leave a comment or send an e-mail to us at FilmPhotographyPodcast (at) gmail.com
Many thanks to HeeSoo, Keith Derickson and Freestyle Photographic Supply !
The Film Photography Podcast
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
The Film Photography Podcast on FaceBook
The Film Photography Podcast Group on Flickr.com
Wednesday, January 19, 2011
Coffee Break – Develop Film at Home with Caffenol
Guest Blog by Darren "Pancho" Riley
I'd read on Flickr about something called Caffenol. Fancy name, sure, but it's basically just instant coffee, washing soda and water. Some people add Vitamin C. And this Caffenol stuff can be used to develop black and white film or colour film as black and white. My experimental side was awakened and my thrifty side was even more excited so I decided to take the plunge! Here's what I did.
I had a roll of expired Solaris brand C41 colour film - only 12 shots so I figured I wouldn't be losing much in the event of my Caffenol experiment not working. Using my changing bag I loaded the film into a developing tank and then prepared the required ingredients. I used:
6 tsp instant coffee
3 tsp washing soda
Each was mixed in 125ml of water (125ml plus coffee and 125ml plus soda) and then the two were put in a jug with an extra 100ml of water. I put the jug in a warm water bath until it reached 20 degrees C and then poured the mixture into the tank.
The tank was agitated (turned upside down and the right way up again) for a minute and then agitated 4 times every 3 minutes. I did this for 25 minutes.
I then poured the non-toxic mixture down the sink and rinsed it with water, 5 times. This stops the developing process. Fixer was then added (this is the only “real” chemical you'll need) and agitated 4 times once a minute for 3 minutes. The fixer was then poured back into the bottle for reusing.
The film was then washed by pouring water into the tank, agitating 5 times, emptying then refilling agitating 10 times, emptying and finally agitating 20 times. I then put a little wetting agent into the water, removed the film and hung it to dry for around four hours.
I have to say, I was pretty pleased with the results and one of the shots (above) is a personal favorite of mine - a sleazy adult magazine store (and no, I haven't been in!). Considering the film was expired, was meant to be colour and was developed as black and white in a bizarre mixture of coffee and washing soda, I think the results were pretty good.
It's not the sharpest of processes but for someone like me who likes grungy photography, it's a process I'll definitely be investigating further. It looks like adding the Vitamin C can speed up the developing process a little when using proper black and white film but I can't say for certain - it's all about experimentation!
So get yourself some cheap instant coffee, some cheap washing soda and give it a go!
These sites were inspiring and very helpful to me:
http://thephotogformula.com/Blog/caffenol-developing-film-with-coffee/
http://www.flickr.com/groups/33051635@N00/
Gracias all,
Darren "Pancho" Riley
http://www.flickr.com/photos/33021028@N08/
http://panchoballard.com/
Top image © Michael Raso
All other images © Darren "Pancho" Riley
Do you have a caffenol formula to share? E-mail us ( FilmPhotographyPodcast AT gmail.com ) or leave a comment below.
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Monday, January 17, 2011
Kodachrome in 2011 – Process as Black and White
Blog by Michael Raso
On the 30th of December 2010, Dwayne’s Photo, the last photo lab on earth to offer Kodachrome K-14 development services, announced it would cease Kodachrome processing.
What to do if you still have rolls of Kodachrome in your refrigerator or freezer?
Shoot it and process the film as Black and White. Since Kodachrome film cannot be processed in any existing color chemistry, the only option is Black and White. This is exactly what I decided to do.
As I’m not currently set-up to process the film myself, I sent my roll to Film Photogarphy Podcast listener Spencer Eklund at Sharp Photo in Eau Claire, Wisconsin USA. Since Kodachrome film is unlike any other film, we didn’t know what to expect or if BW processing would even work. Spencer and the Sharp Photo guys were up for the task and below is Spencer’s report.
above: Kodachrome 25 processed as BW – final step after C-14 bleach
“For starters, I think (the film developed as BW) came out pretty well. The breakdown of the (processing) steps is this…
Pre-Wash
Pre-wash in 20°C water for two minutes, thirty seconds. (Note that LOTS of crap was removed from the film when we poured this pre-wash out.)
Develop
Develop in Kodak T_Max developer 1-to-4 at 20°C for six minutes thirty seconds with constant agitation for the first three minutes – then agitation for ten seconds every 45 seconds until completion.
Stop Bath and Extra Rinse
Kodak Kodafix Solution for eight minutes with constant agitation for the first one minute thirty seconds with ten second agitation every minute til completion. Extra long rinse in 20°C water (15 minutes)
Squeegee the remaining “black goop” off of the film. Rinse an additional 3–5 minutes.
Photoflow
Finally, use Photoflow for the final 2 minutes and then, into the film drier.
The Result and Experimentation
We could see the exposures on the roll but only when viewed in direct light on an angle. I spoke to my dad (the “Big Cheese” at Sharp) and Steve (our film guru). We decided to try using a C-41 Bleach Solution. We did a bleach rinse for 1 minute 45 seconds followed by a heavy rinse and photoflow rinse. Then, back in the drier. Once the film dried, the negs were much more satisfactory.
above: Kodachrome 25 processed as BW – final step after C-14 bleach
In the future, we will tweak a few things and smooth out the process. Bottom line – send us your Kodachrome film for BW development."
Best regards,
Spencer Eklund
So there you have it. Kodachrome developed as Black and White. A big thanks to Spencer and the Sharp Photo guys.
You can find Sharp Photo at http://www.sharpphoto.net/
Do you have your own formula for developing Kodachrome as Black and White? We’d love for you to share your story and/or formula.
FilmPhotographyPodcast (at) Gmail.com or comment below.
about The Film Photography Podcast
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Saturday, January 15, 2011
Film Photography Podcast Journal - Episode 26 - January 15, 2011
Show Notes by
Michael Raso
Topics include photography print magazines, Cibachrome , home darkroom tips, spotlight on View Camera Magazine, camera giveaway and more! Hosted by Michael Raso, Duane Polcou and special guest John Fedele
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Topics discussed:
View Camera Magazine
“VIEWCAMERA® is a bi-monthly publication that began in 1988, and is specifically aimed toward the large format photographer. Each issue provides in-depth interviews with portfolios by respected photographers, new and used equipment reviews, workshop listings, and articles providing technical information for the large format photographer that cannot be found in any other publication. In addition, we have many regular features in each issue including Product Review, Working With a Master, and The Black-and-White Corner.”
Duane Polcou discusses why View Camera Magazine is the best magazine of its kind.
http://www.viewcamera.com
Peterson’s Photographic
Note! Peterson’s Photographic is still in publication!
“Petersen’s PHOTOgraphic Digital Photo Guide, available only on newsstands, is a beautifully designed quarterly with 48 pages of up-to-date tutorials, uninterrupted by advertising from cover to cover. What makes this publication unique is that each issue is devoted to a single topic, enabling you to make the most of your digital camera and shoot like a pro.”
http://www.photographic.com/
Photo Technic Magazine
Recommended by FPP listener Erik Ljung
http://www.flickr.com/photos/eljung/
“A 30 year tradition: DARKROOM TECHNIQUES… PHOTO Techniques… photo technique…
A New Direction
With full respect for the photographic history and practices that have come before us, and dedicated to the vast array of exciting contemporary practitioners, we welcome you to a rejuvenated photo technique magazine.”
http://www.phototechmag.com/
110 articles in print publications (1970s)
Cibachromehttp://www.phototechmag.com/
“Ilfochrome (formerly known as Cibachrome) is a dye destruction positive-to-positive photographic process used for the reproduction of slides on photographic paper. The prints are made on a dimensionally stable polyester base, essentially a plastic base opposed to traditional paper base. Since it uses azo dyes on a polyester base, the print will not fade, discolor, or deteriorate for a long time. Characteristics of Ilfochrome prints are image clarity, color purity, as well as being an archival process able to produce critical accuracy to the original slide.”
http://en.wikipedia.org/wiki/Ilfochrome
Duane also discusses Cloneachrome in NYC
Cloneachrome still going strong - http://www.cloneachrome.com/
Urban Outfitters support Film Photography
http://www.urbanoutfitters.com
Giveaway Items!
AGFA APX BW Film Giveaway
We are giving away two sets of film. Two winners will receive 3 rolls of film each. One roll of Agfa APX 25 BW, one roll of Agfa APX 100 BW and one roll of Agfa APX 400 BW.
To enter this contest, send your name, mailing address and tell us a little about your film photography) to FilmPhotographyPodcast (at) gmail.com
Image © by FPP listener Dan Domme on Agfa APX 400
http://www.flickr.com/photos/yeknom02/
Ciro-Flex 120 TLR / Developer Giveaway
We are giving away a Ciro-Flex camera, 120 film and Rodinal equivalent developer.
To enter this contest, send your name, mailing address )and tell us a little about your film photography) to FilmPhotographyPodcast (at) gmail.com
Fuji Instax WIDE 200 Camera Giveaway
We’re also giving away the Fuji Instax Wide 200 camera.
Image by FPP listener Shaun Keenan
http://www.flickr.com/photos/shaunkeenan/
To enter this contest, send your name, mailing address and tell us a little about your film photography) to FilmPhotographyPodcast (at) gmail.com
FPP Lo-Fo / High Drag 35mm Film
Expired, abused, neglected. For the daring photographer!
FPP’s vault of film. Expiration date unknown! Storage unknown!
The FPP 2011 Calendar
Your very own full-color FPP calendar! Your donation is greatly appreciated.
http://filmphotographypodcast.com/donate.php
Polaroid Talking Camera
“Designed for Polaroid's 600-series integral film, the 636 Talking Camera has a unique gimmick. Along with a couple of pre-recorded messages, the camera can also be used to record speech (or music) which is played via a loudspeaker just before firing of the shutter.”
http://www.camerapedia.org/wiki/Polaroid_636_Talking_Camera
Processing Black and White Film at Home
Duane discusses the process of pre-soaking your film before developing.
“An anti-halation backing is a layer found in modern photographic films. It is placed between the light-sensitive emulsion and the tough film base, or sometimes on the back of the film base. The light that passes through the emulsion and the base is absorbed by the opaque anti-halation layer. This keeps that light from reflecting off the pressure plate or anything else behind the film and re-exposing the emulsion, reducing contrast.”
http://en.wikipedia.org/wiki/Anti-halation_backing
Hot Shoe to PC Sync Adapter for External Strobes Flash
I purchased this Hot Show adapter so that I can use an off-camera flash with my Holga.
Purchased from John Camera in Hong Kong.
stores.ebay.com/John-Camera-Store
Write to us!
FilmPhotographyPodcast (at) gmail.com
FPP on FaceBook
FPP on Flickr
Next Episode in 2 weeks!
About The Film Photography Podcast
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Monday, January 10, 2011
Developing Black & White Film at Home
Guest Blog by Darren "Pancho" Riley
Since there has been a bit of discussion about home developing on the Film Photography Podcast recently (episode 25 / January 1, 2011), I thought I'd share with everybody how I do it. This is mainly because when I started looking into it, everything seemed so complicated and I needed something simple.
Also, it's difficult to say in a few words on a podcast how to do it without making it sound either too simple or too difficult, so whilst I appreciate (FPP Co-Host) Duane Polcou's segment on the podcast and very much look forward to more, I thought I'd try to help out those who've never done it before.
Please feel free to add your own methods, this isn't just developing the Pancho way! I'm not gonna list all the gear you ned here, but it will pretty much all get mentioned within the text. Here we go;
Put the roll of film onto a spool and put it into a developing tank. There's a great video here telling you how to do it and what you'll need - www.youtube.com/watch?v=6P9bNcBE_Hc - he's a funny, strange guy. Entertaining.
Right, you've got your film in the tank, it's ready to develop. Now you need your chemicals. Pre-mix some developing fluid, some stop fluid and some fixer. The instructions for diluting will be with the chemicals. For example, when using Ilfosol 3 I dilute it 1 part fluid to 9 parts water. Just read the labels, you can't go wrong. Put each chemical in a jug or reusable bottle and LABEL THEM! You can reuse the stop and the fixer but not the developer (not my way anyway).
Make sure your developing fluid is at around 20 degrees C. I just put the fluid in a jug and then put the jug in a bath of hot water from the kettle. Once the thermometer reaches 20 take it out and pour it into the tank (don't take the whole lid off, just the top part or open the access part of it - this will make sense when you've got a tank.
Start your stopwatch once you've fastened the lid back on, give it four turns upside down, tap it on the table and then leave it. Do this every minute for as long as it takes to develop.
"But how long does it take to develop?"
Easy. It'll probably tell you on the cardboard box your film came in. If it's Ilford it definitely will. It's as simple as that. If not, just use the Google!
Once you've reached the required time, pour the developer out - mine goes down the sink (if this isn't safe please do let me know!)
Now pour the stop in. This will only need around ten seconds but if it's longer it doesn't matter. Just give it at least ten seconds. Turn it upside down twice upon pouring it in and then ten seconds later, pour it back into your reusable bottle - NOT THE ORIGINAL CHEMICAL BOTTLE!
Now the fixer. This will need around 3 minutes, but like the stop, going over that won't harm it. Turn it upside down four times each minute. When done, pour the fixer back into it's reusable bottle. The film is now developed and can't be damaged by light. You're not quite done yet though.
Pour water into the tank and turn 5 times. Empty. Pour fresh water in and turn 10 times. Empty. Add more fresh water and turn 20 times. Keep this water in.
Add some wetting agent to the tank. I use Ilfotol but I hear washing up liquid is just as good. This helps the water run off the film without leaving stains.
Head to the bathroom, remove the film spool from the tank, remove the film from the spool and hang it over the bath. I use a couple of pegs and the cord from our venetian blinds. The cord is tied to the shower curtain rail and a peg hangs from that. I attach the film to that peg and the other peg to the bottom of the film to stop it curling back up. Give it around 4 hours to dry. 3 is sometimes enough and I've been known to give it just 2 and a blast of the hairdryer when I couldn't wait (that was more in the early days, I'm more patient now.)
Cut your film up, scan it and glory in the wonderful pictures you've created.
And that's it! I hope I've made it sound simple. If you're not sure there's a great video about the developing process here - www.youtube.com/watch?v=Vu0Ul_wsYO8
If you've got any tips to add or do it quite differently feel free to add and share the knowledge!
Gracias all,
Darren "Pancho" Riley
http://www.flickr.com/photos/33021028@N08/
http://panchoballard.com/
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
UPDATE 1/11/2011!
Film Photography Podcast listener "shakmati" recommends the follwing YouTube video from http://www.prophotolife.com/
UPDATE 1/12/2011
FPP listener Ed Engler writes:
I wanted to share with you my experience getting started in home developing. While searching around and gathering supplies I found a "how to" for Diafine 2 part Developer. What interested me the most was the simple process and the ability to reuse the chemicals over and over again. The whole process involves 3 jugs, Diafine part A, Diafine part B, Fixer of choice (I use an Arista Rapid Type). Diafine is also very forgiving of temperature and film type. The chemicals at room temperature give consistent results and different types of film can developed at the same time. The developing contact times are the same for all B&W films. One exception is Fuji Acros where you double the contact times.
This developer has been perfect for me. The freedom to Shoot, Develop, and Scan independently is incredibly rewarding. I will add the link to the instructions I follow for reference.
Thanks for your constant inspiration.
Ed Engler
Black Hills of South Dakota
Ed's link:
DEVELOP USING DIAFINE
Blog by Wallace Billingham
http://wallacebillingham.com/articles/how-to-develop-bw-film-at-home-the-easy-way/
Friday, January 7, 2011
SNOW DAY – Winter Photography by Film Photography Podcast Listeners
Blog by Michael Raso
A “snow day” has been declared at the FPP studio on the eastern coast of the United States. It’s the first snow of the new year and what better way to celebrate than to create a collection of snowy images shot by the fantastic Film Photography Podcast listeners.
Above: “M & G Christmas Card” by William Gray
http://www.flickr.com/photos/bgrax/
Nikon N-90s, 180mm, Kodak Gold 200, no filter
Below: “Snowy Streets” by Nick Leonard
http://www.flickr.com/photos/nickleonard/ - http://nickleonardphoto.com
Fuji Instax 200 camera / Fuji Instax 200 instant film
above: "Untitled" by Covenant OPC
http://www.flickr.com/photos/covenant_opc/
Blackbird, Fly camera / Kodak Portra VC 400
Below: “Nite Owl Drive In” by Erik Ljung
http://www.flickr.com/photos/eljung/with/5280414031/
Hasselblad 6x6 / 120 film
above: “Duck Fight” by Dan Photographic
http://www.flickr.com/photos/dan_photographic/
Mamiya C220 Professional / Black Sekor 80mm 1:2.8 (blue dot) / 120 roll Kodak Ektar 100
Below: “Three Trees” by Scott L
http://www.flickr.com/photos/watusi/
Yashica Mat 124, Expired 220 Fujichrome 200 @100, Home developed in Diafine
above: “First Snow. Wanting a Kiss” by Eponymous Hero
http://www.flickr.com/photos/reciprocal_pronoun/
below: “SLR No.43” by LANCEPHOTO
http://www.flickr.com/photos/lancephoto/ - http://www.picturecrossing.com/
CAMERA: Polaroid SX-70 SLR 680SE / FILM: Polaroid 600 expired 6/2009
above: “Fort Tryon Park” by Antonio Alverez
http://www.flickr.com/photos/antoniomassimo/
Polaroid Spectra 2 camera / Impossible PZ 600 Silver Shade film.
Below: “Sunset” by Chreriksen
http://www.flickr.com/photos/chreriksen/
Argus C3 / Ilford Delta 100 Professional film
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
A “snow day” has been declared at the FPP studio on the eastern coast of the United States. It’s the first snow of the new year and what better way to celebrate than to create a collection of snowy images shot by the fantastic Film Photography Podcast listeners.
Above: “M & G Christmas Card” by William Gray
http://www.flickr.com/photos/bgrax/
Nikon N-90s, 180mm, Kodak Gold 200, no filter
Below: “Snowy Streets” by Nick Leonard
http://www.flickr.com/photos/nickleonard/ - http://nickleonardphoto.com
Fuji Instax 200 camera / Fuji Instax 200 instant film
above: "Untitled" by Covenant OPC
http://www.flickr.com/photos/covenant_opc/
Blackbird, Fly camera / Kodak Portra VC 400
Below: “Nite Owl Drive In” by Erik Ljung
http://www.flickr.com/photos/eljung/with/5280414031/
Hasselblad 6x6 / 120 film
above: “Duck Fight” by Dan Photographic
http://www.flickr.com/photos/dan_photographic/
Mamiya C220 Professional / Black Sekor 80mm 1:2.8 (blue dot) / 120 roll Kodak Ektar 100
Below: “Three Trees” by Scott L
http://www.flickr.com/photos/watusi/
Yashica Mat 124, Expired 220 Fujichrome 200 @100, Home developed in Diafine
above: “First Snow. Wanting a Kiss” by Eponymous Hero
http://www.flickr.com/photos/reciprocal_pronoun/
below: “SLR No.43” by LANCEPHOTO
http://www.flickr.com/photos/lancephoto/ - http://www.picturecrossing.com/
CAMERA: Polaroid SX-70 SLR 680SE / FILM: Polaroid 600 expired 6/2009
above: “Fort Tryon Park” by Antonio Alverez
http://www.flickr.com/photos/antoniomassimo/
Polaroid Spectra 2 camera / Impossible PZ 600 Silver Shade film.
Below: “Sunset” by Chreriksen
http://www.flickr.com/photos/chreriksen/
Argus C3 / Ilford Delta 100 Professional film
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Thursday, January 6, 2011
Film Photography Podcast listener to the rescue!
Blog by Michael Raso
producer, Film Photography Podcast
On the January 1st Film Photography Podcast, I announced that during the frenzy of the December holidays, two Film Photography Podcast “giveaway” cameras got misplaced (!)
The Vivitar PN2011 / photo by Michael Raso - http://www.flickr.com/photos/michaelraso/
The KIEV 6C photographed by Siim Vahur - http://www.flickr.com/photos/siimvahur/
The Vivitar PN2011 and the Kiev 6C have virtually disappeared from the FPP studio, leaving our podcast winners empty-handed. Confidence is high that these cameras will be found in the coming days, but to date, they remain elusive.
I’m thrilled to announce that, in the meantime, FPP listener Justin Channell has donated a Vivitar PN2011 to FPP winner Brian Moore.
Brian, a listener and contributor, wrote a guest blog on our Film Photography Project Blog site in December.
Justin Channell, photographer and filmmaker, has been a listener and friend of the FPP since its inception in October of 2009.
Thank you - the FPP community is the best!!
About The Film Photography Podcast
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Episode 25 – January 1, 2011
Episode topics - Kodachrome no more, 110 film format, sprocket hole photography, black & white home development, camera giveaways and much more. Hosted by Michael Raso, Duane Polcou and special guest John Fedele.
ITunes, Zune, download or stream
http://www.filmphotographypodcast.com
Special thanks to Emily Savill and Dan Domme (who donated the original cameras).
producer, Film Photography Podcast
On the January 1st Film Photography Podcast, I announced that during the frenzy of the December holidays, two Film Photography Podcast “giveaway” cameras got misplaced (!)
The Vivitar PN2011 / photo by Michael Raso - http://www.flickr.com/photos/michaelraso/
The KIEV 6C photographed by Siim Vahur - http://www.flickr.com/photos/siimvahur/
The Vivitar PN2011 and the Kiev 6C have virtually disappeared from the FPP studio, leaving our podcast winners empty-handed. Confidence is high that these cameras will be found in the coming days, but to date, they remain elusive.
I’m thrilled to announce that, in the meantime, FPP listener Justin Channell has donated a Vivitar PN2011 to FPP winner Brian Moore.
Brian, a listener and contributor, wrote a guest blog on our Film Photography Project Blog site in December.
Justin Channell, photographer and filmmaker, has been a listener and friend of the FPP since its inception in October of 2009.
Thank you - the FPP community is the best!!
About The Film Photography Podcast
Launched in October of 2009, the Film Photography Podcast is a 90 minute, bi-weekly Internet radio program, exploring a wide range of topics relevant to the experienced and aspiring photographer using film as a medium. Hosts Michael Raso and Duane Polcou enthusiastically dissect and debate the pros-and-cons of film formats, do-it-yourself techniques, digital technologies, and vintage and contemporary cameras and accessories in a thorough, informative and casual manner. Regular features include Camera tests and reviews, “book of the month”, interviews, a listener-generated Q&A, and film-related giveaways.
Produced in the United States, the Film Photography Podcast is broadcast around the globe via iTunes and direct stream from http://www.filmphotographypodcast.com
Episode 25 – January 1, 2011
Episode topics - Kodachrome no more, 110 film format, sprocket hole photography, black & white home development, camera giveaways and much more. Hosted by Michael Raso, Duane Polcou and special guest John Fedele.
ITunes, Zune, download or stream
http://www.filmphotographypodcast.com
Special thanks to Emily Savill and Dan Domme (who donated the original cameras).
Saturday, January 1, 2011
Film Photography Podcast Journal / Episode 25 / January 1, 2011
Kodachrome no more, 110 film format, sprocket hole photography, black & white home development, camera giveaways and much more. Hosted by Michael Raso, Duane Polcou and special guest John Fedele
Stream, Download or iTunes / Zune feeds
http://filmphotographypodcast.com
SHOW NOTES:
The last days of Kodachrome
Michael, Duane and John discuss the last days of Kodak Kodachrome
Kodachrome in 2011 – Shoot and develop as Black & White
According to the folks at Blue Moon Camera, Kodachrome contains an extra layer that will “gunk up” during BW development, sticking to the film causing some emulsion loss. Develop Kodachrome (as BW) in its own tank so not to contaminate other film stocks.
above: poorly stored Kodachrome 25 processed as black & white
AGFA APX BW Film Giveaway
We are giving away two sets of film. Two winners will receive 3 rolls of film each. One roll of Agfa APX 25 BW, one roll of Agfa APX 100 BW and one roll of Agfa APX 400 BW.
To enter this contest, send your name, mailing address and tell us a little about your film photography) to FilmPhotographyPodcast@gmail.com
Image © by FPP listener Dan Domme on Agfa APX 400
http://www.flickr.com/photos/yeknom02/
Ciro-Flex 120 TLR / Developer Giveaway
We are giving away a Ciro-Flex camera, 120 film and Rodinal equivalent developer.
To enter this contest, send your name, mailing address )and tell us a little about your film photography) to FilmPhotographyPodcast@gmail.com
Fuji Instax WIDE 200 Camera Giveaway
We’re also giving away the Fuji Instax Wide 200 camera.
Image by FPP listener Shaun Keenan
http://www.flickr.com/photos/shaunkeenan/
To enter this contest, send your name, mailing address and tell us a little about your film photography) to FilmPhotographyPodcast@gmail.com
EV – Exposure Value
“In photography, exposure value (EV) denotes all combinations of a camera's shutter speed and relative aperture that give the same exposure. The concept was developed in Germany in the 1950s (Ray 2000, 318), in an attempt to simplify choosing among combinations of equivalent camera settings”
http://en.wikipedia.org/wiki/Exposure_value
110 Film Photography
Michael discusses the 110 film format.
FPPer Joe Kolbek with the 110 Hulk Hogan camera. It promises an image of Hulk Hogan on every frame!
Book of the Month
“The Grand Tour” Photographs by Dick Arentz
http://www.dickarentz.com/
Shooting Sprocket Photography!
“Sprockets!”
Photo by Duane Polcou
Image © by FPP listener Justin De La Ornellas
http://www.flickr.com/photos/ornellas/
“Sprocket hole photography is a style of photography that exposes the full width of 35 mm film, creating a photograph punctuated by the "sprocket holes" (perforations) along the edges of the film.”
http://en.wikipedia.org/wiki/Sprocket_hole_photography
Image by FPP listener 25ThC
http://www.flickr.com/photos/25thc/
Image © by FPP listener Clifford Davis
http://www.flickr.com/photos/48652922@N04/
Black & White home development
Duane Polcou discusses developing Black & White negatives at home
Image developed at home by FPP listener Greg Zauswoz
Ilford HP5 plus 400
Rodinal 1+50 11min @ 20C
http://www.flickr.com/photos/43520295@N08/
The FPP 2011 Calendar
Have your very own full-color FPP calendar. Your donation is greatly appreciated.
http://filmphotographypodcast.com/donate.php
Happy New Year! See you in two weeks!
- Michael Raso & the FPP Guys
http://filmphotographypodcast.com/
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