Wednesday, January 27, 2010
The LUBITEL 166u and The Case of the Sticky Shutter
It is painful joy testing a newly acquired vintage camera to discover that its quirky goodness is tainted by a mechanical defect. Such is the case with "new to me" 1980s model Lubitel 166u 6x6 Lomo camera.
I “got it” on e-bay for a very reasonable $35.us only to discover that the shutter “sticks” at 1/30th second (and below). Bummer...since it was advertised as “shutter works all speeds.”
The Lubitel 166U was made by Lomo in Leningrad (now St. Petersburg), Russia. I suspect that the model I own was made sometime in the 1980s. Lens says Made in the USSR.
It's plastic, lightweight and almost impossible to focus. I repeat…Impossible to Focus. So, I guessed the focal distance and used the top viewfinder to compose my shots only. Once I got past the focus issue, it was smooth sailing.
I’m pleased with the shots. Damn that sticky shutter though! (Trying to return to the e-bay seller…will keep you posted).
Rudy's Bar & Grill
"A New York City Landmark. Cheap Booze & Free Hot Dogs!" so says a newspaper review taped to the window.
Two Boots Pizza - Hell's Kitchen
New York's famous (and delicious) Two Boots Pizza recently opened a store on 9th Avenue in Hell's Kitchen (NYC). Unknown man maniacally grins as he looks in.
Coffee Break!
That sticky shutter at 1/30thsec (and flash) delivered this COFFEE nightmare!
Pictured: Jeff Faoro at my Pop Cinema Studio
All images © 2010 Michael L. Raso
Lubitel 166u image
shot using Rolleicord III camera
Kodak Portra 100 Tungsten 120 film
(film expired 10/2001 – cold stored).
All additional shots using the Lubitel 166 Universal camera with Kodak Portra 400nc 120 film
(film expired 6/2006 – cold stored).
I host the Film Photography Internet Radio Show
With pals Duane Polcou and John Fedele
www.filmphotographypodcast.com/
Film Photography Podcast Flickr Group
www.flickr.com/groups/filmphotographypodcast/
e-mail me at MichaelRaso@ymail.com
Sunday, January 17, 2010
Pizza Fridays
"While there is nothing artistically compelling about this, it is one of freakin' best sets on flickr. I want in on the Pizza Super Bowl."
- David (Flickr Member)
http://www.flickr.com/photos/summerofgeorge/
Every Friday at Pop Cinema Studio we'd gather at 2pm in the kitchen area.
It was known as Pop Pizza Friday.
We would order two pizzas from two different pizzerias and vote for the best tasting pie.
Each week I documented the delicious event. As it turns out, Pizza Friday became the test ground for so many of the vintage cameras I acquired in 2009. 35mm Canon cameras, Kodak Brownies, 110 cameras and many others all fired their shutters at 2pm on Friday.
So many fun (and delicious) images.
Thanks to all the great Pizzerias in the Butler, New Jersey Area.
The winning vote for Best Sicilian Pizza went to
DANNY’S PIZZA
47 Main Street
Bloomingdale, NJ 07403-1653
(973) 838-6700
We don’t vote for best pizza anymore but we still gather on Fridays and I’m still there usually with camera (and pizza) in hand.
Quick reminder that the January 2010 edition of my Film Photography Podcast is now available.
You can listen here:
or visit our site:
http://filmphotographypodcast.com/
- David (Flickr Member)
http://www.flickr.com/photos/summerofgeorge/
Every Friday at Pop Cinema Studio we'd gather at 2pm in the kitchen area.
It was known as Pop Pizza Friday.
We would order two pizzas from two different pizzerias and vote for the best tasting pie.
Each week I documented the delicious event. As it turns out, Pizza Friday became the test ground for so many of the vintage cameras I acquired in 2009. 35mm Canon cameras, Kodak Brownies, 110 cameras and many others all fired their shutters at 2pm on Friday.
So many fun (and delicious) images.
Thanks to all the great Pizzerias in the Butler, New Jersey Area.
The winning vote for Best Sicilian Pizza went to
DANNY’S PIZZA
47 Main Street
Bloomingdale, NJ 07403-1653
(973) 838-6700
We don’t vote for best pizza anymore but we still gather on Fridays and I’m still there usually with camera (and pizza) in hand.
Quick reminder that the January 2010 edition of my Film Photography Podcast is now available.
You can listen here:
or visit our site:
http://filmphotographypodcast.com/
Friday, January 15, 2010
Love for the Ultra Wide & Slim Camera
James Butler from Hertfordshire, UK loves the Vivitar Ultra Wide & Slim 35mm camera so much that he created a gallery of his favorites on Flickr.
I couldn’t agree more. An amazing set of images. Feast your eyes!
Image by Marcus Butler, London
http://www.flickr.com/photos/marcusandian/
Image by Joanna, Toronto, Ontario, Canada
http://www.flickr.com/photos/jjlook/
Image by Natalie, Iowa, USA
http://www.flickr.com/photos/naskren/
The all mechanical / all plastic Vivitar Ultra Wide & Slim camera has no electronics or need for a battery to function. With a fixed f11 aperture and a w-i-d-e 22mm lens, the camera delivers gorgeous lo-fi pictures. Current price tag on e-bay: $50. (if your lucky to find one). Demand is great enough that a company called SuperHeadz has manufactured a worthy “knock-off.”
Links:
MORE great shots at James Butler’s Ultra Wide and Slim Gallery:
http://www.flickr.com/photos/slimjim/galleries/72157622744673371
James offers some amazing shots of his own!
View James Butler’s photostream:
http://www.flickr.com/photos/slimjim/
Search the Vivitar Ultra Wide & Slim on e-bay.
www.ebay.com
Purchase the Super Headz “knock-off” at Four Corners Store
http://www.fourcornerstore.com/collections/frontpage/products/white-slim-angel
We chat about the Wide & Slim on this month’s Film Photography Podcast. Listen in!
I couldn’t agree more. An amazing set of images. Feast your eyes!
Image by Marcus Butler, London
http://www.flickr.com/photos/marcusandian/
Image by Joanna, Toronto, Ontario, Canada
http://www.flickr.com/photos/jjlook/
Image by Natalie, Iowa, USA
http://www.flickr.com/photos/naskren/
The all mechanical / all plastic Vivitar Ultra Wide & Slim camera has no electronics or need for a battery to function. With a fixed f11 aperture and a w-i-d-e 22mm lens, the camera delivers gorgeous lo-fi pictures. Current price tag on e-bay: $50. (if your lucky to find one). Demand is great enough that a company called SuperHeadz has manufactured a worthy “knock-off.”
Links:
MORE great shots at James Butler’s Ultra Wide and Slim Gallery:
http://www.flickr.com/photos/slimjim/galleries/72157622744673371
James offers some amazing shots of his own!
View James Butler’s photostream:
http://www.flickr.com/photos/slimjim/
Search the Vivitar Ultra Wide & Slim on e-bay.
www.ebay.com
Purchase the Super Headz “knock-off” at Four Corners Store
http://www.fourcornerstore.com/collections/frontpage/products/white-slim-angel
We chat about the Wide & Slim on this month’s Film Photography Podcast. Listen in!
Labels:
Flickr,
Flickr.com,
James Butler,
lomo,
lomography,
SuperHeadz,
Vivitar Ultra Wide and Slim
Saturday, January 9, 2010
Old Film Project on Flickr.com / Some favorites from 2009
When Flickr member Daniel Whitman found 400 rolls of dated black & white film he decided to start a community group called “Old Film Project” and give the film away!
Flickr members from around the world joined the group and received 8 rolls of the old film free of charge - under the condition that they will shoot the film as part of groups projects and themes.
The film used for the images is Kodak and Efke brand and expired anywhere from 1975 to 1981. Very old, indeed.
The images posted are some of my favorites. More here at my “Old Film Group” gallery for 2009.
http://www.flickr.com/photos/michaelraso/galleries/72157623052282587/#gallery-comments
Flickr members from around the world joined the group and received 8 rolls of the old film free of charge - under the condition that they will shoot the film as part of groups projects and themes.
The film used for the images is Kodak and Efke brand and expired anywhere from 1975 to 1981. Very old, indeed.
The images posted are some of my favorites. More here at my “Old Film Group” gallery for 2009.
http://www.flickr.com/photos/michaelraso/galleries/72157623052282587/#gallery-comments
Wednesday, January 6, 2010
How to Make a Monster (on Ektachrome)
My day-to-day job for the last 15 years has been spent producing and marketing low-budget movies to the US home video market. The daily grind is rewarded anytime I can get away from my desk and into the studio for hands-on filmmaking or photography.
This was the case in early December when I had the opportunity to collaborate on the poster art for our upcoming DVD release of Chris LaMartina’s movie “Book of Lore.”
Paige Davis and myself designed the poster concept. She handled the make-up and I shot the images. The soon-to-be-horrifying model was Erin Russ. Gordon Roberts handled final layout in Photoshop CS.
Because of the time to apply make-up to Erin, I absolutely made sure that I had enough coverage by shooting with three cameras. Overkill perhaps, but you know the old expression, “better safe than sorry.”
I loaded my Shanghai Seagull 4A and Yashica-A cameras with Ektachrome 64T 120 tungsten balanced film. Since each camera only holds 12 exposures per roll, I used two cameras to speed up the shooting process (by not having to stop and re-load film). The third camera was my Canon AE-1 35mm loaded with Kodachrome 40 tungsten balanced film. Shooting with the AE-1 really didn’t take much more time and served as the “back-up” should anything go wrong with the 120 film in processing.
The shoot went smooth and was a lot of fun. Ultimately the final image chosen for the poster was shot with the Shanghai camera on Ektachrome film.
Chris LaMartina's BOOK OF LORE/GRAVE MISTAKES Horror Double Feature will be released on DVD May 12th, 2010
All images shot by Michael Raso
Poster art © Camp Motion Pictures, L.L.C.
Film processing: Dwayne’s Photo
Scans: Epson v700
This was the case in early December when I had the opportunity to collaborate on the poster art for our upcoming DVD release of Chris LaMartina’s movie “Book of Lore.”
Paige Davis and myself designed the poster concept. She handled the make-up and I shot the images. The soon-to-be-horrifying model was Erin Russ. Gordon Roberts handled final layout in Photoshop CS.
Because of the time to apply make-up to Erin, I absolutely made sure that I had enough coverage by shooting with three cameras. Overkill perhaps, but you know the old expression, “better safe than sorry.”
I loaded my Shanghai Seagull 4A and Yashica-A cameras with Ektachrome 64T 120 tungsten balanced film. Since each camera only holds 12 exposures per roll, I used two cameras to speed up the shooting process (by not having to stop and re-load film). The third camera was my Canon AE-1 35mm loaded with Kodachrome 40 tungsten balanced film. Shooting with the AE-1 really didn’t take much more time and served as the “back-up” should anything go wrong with the 120 film in processing.
The shoot went smooth and was a lot of fun. Ultimately the final image chosen for the poster was shot with the Shanghai camera on Ektachrome film.
Chris LaMartina's BOOK OF LORE/GRAVE MISTAKES Horror Double Feature will be released on DVD May 12th, 2010
All images shot by Michael Raso
Poster art © Camp Motion Pictures, L.L.C.
Film processing: Dwayne’s Photo
Scans: Epson v700
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